Blory #281

it happens every few years

image

“Look, right there. You can see the retcon coming,” said the sidekick.

The hero nods, but says nothing. This is new for his sidekick, but not for him. 

He’s been retconned, updated, revised, and modernized a dozen times. He’s been doing this for seventy years and it still seems like year one.

What kills him is the memories. He’s not supposed to remember what it was like before the retcon, but he does. 

He remembers everything.

As the retcon wave washes over them, he remembers his former sidekick, now retconned away.

Gone like all the others.

Tags: lit prose writers

"Every life is inexplicable, I kept telling myself. No matter how many facts are told, no matter how many details are given, the essential thing resists telling…..We imagine the real story inside the words, and to do this we substitute ourselves for the person in the story, pretending that we can understand him because we understand ourselves. This is a deception."

— Paul Auster, The Locked Room (The New York Trilogy)

Blory #280

NaPoWriMo #16 (A haiku, completely unrelated to the prompt.)

Each time I recall
your fingertips on my hips
I am slain anew.

Blory #279

Phone

connected and twisted
through hoops
shifted
invisible
maybe or maybe not
malicious
but square and sound
digging up roots
inevitably
found

Blory #278

NaPoWriMo #16 (A haiku, completely unrelated to the prompt.)

Each time I recall
your fingertips on my hips
I am slain anew.

Blory #277

losing faith

When you were born your eyes were wide open. Where every other newborn’s face crumpled in tears (who wouldn’t cry at the thought of having to face a whole world, an entire life and all its pain?) you were curiously quiet, staring up at the nurses who whisked you out of the cradle that had been your home for nine months. We laughed – even back then you had already known how to judge others, I said.

No, you said, your smile twisting at the corners, even back then I saw too much.

Tags: lit prose writers

Destiny

Everbody thinks destiny is what was meant to happen.  But look in a dictionary - it’s what was NOT meant to happen.  Elvis was supposed to be a trucker.  Britney was supposed to be a single mum.

Blory #276

NaPoWriMo #10: (an un-love poem)

When you find yourself stumbling
over heartaches and troubles,
look to the obstacles you planted for others,
how they have grown twisted and gnarled around your feet.

When your head is filled
with voices of doubts and insecurities,
hear the echoes of whispers you have spread
with others’ names attached to their wings.

When your dreams are strangled and tortured,
and you wake in the night cloaked in sweat and fear,
remember the comfort you witheld from loved ones,
the cold you clothed them in and made then wear.

Know that all you have sown
has been planted in the reflection of a mirror.
All the while it was your own destiny you cultivated,
your own future you drafted-

You shall surely reap
your rewards.

Blory #275

Ours. Mine.

I never saw it coming, not for a second. Not when you handed me that third beer without telling me I should stop, not when you switched away from our favourite programme. You said you wanted something else; that it was time for a change.

And why was I so bossy all of a sudden? Sometimes people like a little variation in their lives. You said you can’t live on brown rice and tuna steaks, and I told you I’d never asked you to. You were silent.

I didn’t see it coming even when you handed back your key because you were right, you never used it. You’ve always used the doorbell and never kept so much as a toothbrush next to mine in the bathroom. Your shower gel stayed for a night once but you came back after lunch, looking flustered, saying you were sorry and you hadn’t meant to forget it. I told you it was fine, I didn’t mind if you left things here.

You never left it again. Things went back to the way they were. You left nothing but an imprint and a press of chapped lips on my forehead. At the weekends you might stay but not past lunch because you had other friends to see, and you stressed the word friends like you were trying to cut me with it and I never once begged you to stay after that. Things remained. Everything but you.

Now you tell me that you’ve got a new job and it’s really exciting and I should be happy for you. I am, I say, and I lean in to hug you but I can feel you vibrating beneath me, stiff but fluid as you try not to worm away from the brushed cotton jumper you forced me to buy in the first place. You said it looked nice on me and my cheeks warmed as I handed over my money in exchange for a glance.

The job is somewhere else, you say, and now I understand why the key you once kept in your purse is hanging up on a nail by the back door. I understand why it’s my show and not ours, and why you never had an opinion on the colour I painted the kitchen last spring. My kitchen. My house.

Not ours.

Tags: lit prose writers

bookriot:

Whether you’re in it for the challenge or for the nostalgia of days spent determining your future via the Cosmo multiple-choice, it’s hard to resist a quiz. Here’s a selection of the most fun literary quizzes from around the interweb. Sharpen your pencil, put on your thinking cap, and have fun!…

Blory #274

Old Records

The little, white envelope – the one with the words and the pictures and the things I said and always wished I could take back – remember that envelope and the paper held within., the letters that made to create something lovely, something worthwhile. Because I am not writing poems on the sides or the back and I am not filling the folds with pictures of giraffes or moons. I am not doing any of these things the way you remembered me to be. Did you keep the first ones? The ones made from heartache and longing? Find the drawer, the dresser, the box under your bed labeled “Things made to be remembered.” Are they there? Tucked away neatly beneath polaroids and ticket stubs and the bracelet I bought you, that one time at a shop in Venice, the one with the bull’s skull fastened to leather. It broke too easily, like many things, but you liked it and I recall the hug that followed. It is etched into me and will not fade. Open the first letter, the one from that first year when we fled in opposite directions, running from nothing. How did it start and did you read it with a heavy heart? The poem, that one time, writ on the insides of the paper that only could be seen if you peeled away the seals and unfolded it to be whole. Was it cheesy? Was it good? Did you travel through time as you read it, remembering the canyon and camping and the fire that took the mountain-side and sitting in the river as the sky went to shades of orange and blue. Dear so-and-so, how is it now that you are so far away and I am still idle in the places I hate to be? I know I am not welcome and you are moving forward through the forest and the trees, but my sun has yet to set and all I want is to see a sky that is clear and good but I am only ever fleeing to places that remind me of eyes that fade in a foggy night, but they are warm and a comfort and I was always made of one-liners and broken promises and you were building and building to something fantastic, something unseen but now those places are gone and that is fine, until the sun goes down and meets the hill and everything disappears into stars. But now it is still the same and I can only converse through the use of passages in books, of places “we weren’t so quickly” or “boats on currents” or anything fixed to be a feeling that I couldn’t quite remember, just gleaned from a place where it was once said in better ways than I could ever produce.

Tags: lit prose writers

Blory #273

i have no idea why whos where is what we are

most of all 

i hate to break it you

a list

is not

poetry

    nor am i a sign of bitterness

as that is exactly what i am

    and truth shall be told 

as its magnetic form rearranged and spun 

opposites withdrawn

and the similarities come

 together

because

well 

after all 

im afraid

i’ll never leave the one

 i’m drawn to 

to see what i’ll become

   and understand the words

as much as i understand 

something obscure in random spaces

and

im babbling

     begone

 eat bread 

begin

again 

Blory #272

The Education Factory



Isms and ologies cannons

and classics,

culture nazis,

literary fanatics.

I struggle to breathe

as I try

to achieve,

unsure as to where

the conveyer belt

leads.

Blory #271

mist (copyright nyxie winter)

You spot her through the smoked glass, the reflections of the candles distorting your view of the outside, while fat raindrops slowly slide down the window, giving everything indistinct edges. Even the FedEx truck that rumbles past seems gentler, quieter, under the rain’s touch.

She’s walking without a care in the world, long dark hair mussed, part wavy from the humidity, part unruly because she forgot to brush it, the violet and blue pieces glowing in the odd winter drizzle light. Her dress is short, with a scoop neck, and she’s wearing her biker boots. She moves quickly with long strides, almost joyfully, whatever is on her iPod is making her very happy indeed.

She crosses the street, rush hour traffic no concern, merrily jaywalking through the near gridlock, even the cop on the corner grins as he shakes his head.   Your glasses are still a bit fogged from the mist, and as she disappears from view, you take your handkerchief from your pocket and wipe the lenses, making slow circles with too much pressure.  You stop yourself before you damage the lenses and frames, stuff the now creased and crumpled handkerchief  back into your pocket, then slowly look up and see her, cheeks flushed from the warmth inside, radiant, brunette and violet-blue hair shimmering from the rain.  

She’s inside. She keeps scanning the tavern area, finally gazes in your direction, then drops her head.

Shy? Nervous?  Change of heart?

Interesting…

You let her sweat for a moment, then approach her. The mist has left tiny droplets of rain on her cheeks and the top of her chest. A large drop of rain courses down the side of her neck, nestles against her collarbone.

She raises her eyes to yours, and they’re smiling before she speaks. Her eyes are dark, lashes long, and her lips are pale, parted slightly.

“Hey,” she breathes.

You tilt your head to the side as you smile.  The smile starts out subtle, but your inner mischief wins out, and you find yourself out and out grinning at her.  “Hey.  Glad you could make it.”  She holds your gaze for a moment, smiles, then says, all in a rush “Ooooh hell I must look a hot mess walking here in this rain, sorry.”  You both laugh, and you hand her a drink.  You have a brief scuffle over money — she insists on paying for you both — and then go settle into comfy chairs under the stairwell and talk and talk.  

And eat. Marrow, of all things.  She spreads some on crostini for you, and, without thinking, you lean forward, without thinking, she feeds you.  

Simple human gesture, yet somehow it’s charged with an intimacy that is boundless.  It’s more than sharing, more than affection, the automaticity of it somehow shifts the entire dynamic, rendering it puzzle-like, tension and anticipation folding over and over on themselves, layers of want, need, fear, desire, all buried and resurfacing, multifaceted.  

Silence envelops you both, for a long moment it hangs in the air, nearly unbearable.  She can’t meet your eyes, but you can sense it, right beneath her skin, see it in the rise and fall of her chest.  You’d love to kiss her, but not here, not now.  

Instead you take your finger and brush away the almost dried droplet near her collarbone.  She closes her eyes, just for an instant, but it’s enough.

You’re both coming undone.

Later, you walk her to her car.  It’s quiet, tendrils of vulnerability twine about you both, and then, before you can process it, she stands on her toes and kisses you on the cheek.  It’s no ordinary peck though, it’s soft and lingering.  A promise?

She ducks in her car, but not before you trace the back of your fingers across her cheek.  You smile as you slowly realize the magnitude of what she’s just done. 

Blory #270

These are the people
You’ll love now
Forever is a never
Anyhow
How can you keep something
That doesn’t fit
In the palm of your hand
When you’d be willing
To do anything-
But really you can’t
There’s no ground
On which to stand
Watch the foundation
Crumble
Let your screams
Surrender to rambling
Inaudible mumbles
Because who you’ve loved
Is being taken
Your world shaken
But it’s going to turn
Still
And as who you love
Becomes who you will
And you question
Yours…
You must make your heart
Unhollow
Words you can’t say
Learn to swallow
Nowhere to land it seems
But lay down your head
Lay down, lay down
Close your eyes on then
These are the people
You’ll love now…